Creation Through International Collaboration
Beautiful Trauma -Behind the Scenes-
A program that presents a full-size work developed from a small work originally produced as part of the previous year’s international collaborative workshop. Beautiful Trauma -Behind the Scenes- by Indonesian director Yustiansyah Lesmana, created under the theme of “makeup”, will be presented.
【Reservation】Please click desired date and time.
Nov. 9 (Fri) at 19:00-
Yustiansyah Lesmana (Indonesia)
Yustiansyah Lesmana, usually called Tian, is one of the young art directors in Indonesia. He embarked on his career in theater in 2003, while still in school. Later, he joined the Teater Ghanta and produced a theater performance in 2009.That year, he was presented with an award for the best art director at the College Students National Theatre Festival. He also received an award for the best art director at the Jakarta Theatre Festival (2013-2014). In 2014, he participated as a young art director in the Imagine Festival against Racism, an international youth campaign against violence held in Basel, Switzerland. He now works as an art director at Teater Ghanta and is preparing a collaborative art work in the theatre archives project called “No Microphone for Takdir” (original title: “Tidak Ada Mikrofon untuk Takdir“), based on an audio recording of a discussion with Sutan Takdir Alisjahbana (1969), to be premièred at the National Theatre Week in Jakarta in October 2018. This year will be the second time that Tian is participating in the Asian Performing Arts Forum (APAF). Last year, he presented “Beautiful Trauma” in collaboration with performers from various countries in Asia.
It is a privilege to be included for the second time in the invitation for international collaboration with APAF. In a meeting among different countries, many things can happen, where differences both in the concentration of art and ways of creative thinking are vindication for dramaturgy to be present and at work. Awareness of mapping networks of ideas through to making of artistic decisions represents a kind of tension that fosters confidence in one another, that art can be born from the reflections of multitudinous sources of illumination. As a collaborator, I imagine that emerging ideas will be more progressive, that they will discover many perspectives of themes and be given maximum latitude for reworking in the creation of stage aesthetics. This experience will provide me with a broader working understanding that performances are none other than a process of dialogue involving so many questions and unknowns. This is something I enjoy, like swimming in the ocean and riding the waves. My heartfelt gratitude to APAF and all its member associations.
Abner T. Delina Jr. (The Philippines)
Miyuki Mikata (Japan)
Kei Namba (Japan)
Pathavee Thepkraiwan (Thailand)
Kotaro Yagi (Japan)
*In Alphabetical Order
Stage Manager: Kouki Ura（Stage Work URAK）
Assistant Director: Tamami Sakakura
Sound: Masashii Wada
Lighting: Yuho Shimada（LST）
Costume: Sakura Fujibayashi
Photography: Kazuyuki Matsumoto
Video Documentation: Kazuomi Furuya